Skip to main content
Tabor Online
  • Home
  • Study
    School & Unit Listing Counselling Education Humanities Ministry Practice Social Science Youth Work Tabor Staff
  • Student Resources
    Assessment Essentials Calendar and Timetables Chapel Recordings Forms and Documents Handbooks Library Mahara Panopto Paradigm Professional Experience (EDU) Tabor Policies Tabor Website Using AI at Tabor
  • Office 365
    Office 365 Apps OneDrive Outlook
  • Support
    Student Digital Help Centre Student Academic Tool Kit Student Wellbeing Centre Staff Digital Help Centre Contact Us
  • More
Close
Toggle search input
You are currently using guest access
Log in
Tabor Online
Home Study Collapse Expand
School & Unit Listing Counselling Education Humanities Ministry Practice Social Science Youth Work Tabor Staff
Student Resources Collapse Expand
Assessment Essentials Calendar and Timetables Chapel Recordings Forms and Documents Handbooks Library Mahara Panopto Paradigm Professional Experience (EDU) Tabor Policies Tabor Website Using AI at Tabor
Office 365 Collapse Expand
Office 365 Apps OneDrive Outlook
Support Collapse Expand
Student Digital Help Centre Student Academic Tool Kit Student Wellbeing Centre Staff Digital Help Centre Contact Us
Expand all Collapse all

Blocks

Skip Support

Support

Library Digital Academic Wellbeing
Skip Activities

Activities

  • Resources
Skip Teaching Staff

Teaching Staff

Olivia Fowles
Olivia Fowles
Email: ofowles@adelaide.tabor.edu.au
Logan Watt
Logan Watt
Email: lwatt@adelaide.tabor.edu.au

Logan Watt is the Head of Music and Lecturer at the Tabor Institute of Music.

Andrew Wiering
Andrew Wiering
Email: AWiering@adelaide.tabor.edu.au

Dr Andrew Wiering

  1. Resources for Teachers (Music)
  2. 4 Part Vocal Style Harmony
  3. 4 Part Vocal Harmony by Step

4 Part Vocal Harmony by Step

Completion requirements
    • 1 Scale degrees and chord types.docx 1 Scale degrees and chord types.docx
    • 2 First inversion chords and doubling.docx 2 First inversion chords and doubling.docx
    • 3 Vocal ranges and chord voicing.docx 3 Vocal ranges and chord voicing.docx
    • 4 Smooth Voice Leading and Perfect Cadences.docx 4 Smooth Voice Leading and Perfect Cadences.docx
    • 5 Plagal Imperfect and Interrupted Cadences.docx 5 Plagal Imperfect and Interrupted Cadences.docx
    • 6 What is wrong with parallel 5ths and Octaves.docx 6 What is wrong with parallel 5ths and Octaves.docx
    • 7. Completing cadences.docx 7. Completing cadences.docx
    • 8. The Chord before the cadence.docx 8. The Chord before the cadence.docx
    • 9 Stock phrases.docx 9 Stock phrases.docx
    • 10 Parallel 1st Inversion Chord sequences.docx 10 Parallel 1st Inversion Chord sequences.docx
    • 11 Passing and Unessential notes.docx 11 Passing and Unessential notes.docx
    • 12 Cadential 6-4.docx 12 Cadential 6-4.docx
    • 13 Passing 6-4.docx 13 Passing 6-4.docx
    • 14 Repeated notes and Sequences.docx 14 Repeated notes and Sequences.docx
    • 15 Dominant 7th.docx 15 Dominant 7th.docx
    • 16 Strategies for longer pieces of harmony.docx 16 Strategies for longer pieces of harmony.docx
    • A Discussion of the Traditional four part harmony notes from Virginia Lakeman.docx A Discussion of the Traditional four part harmony notes from Virginia Lakeman.docx
Get Help

© This material has been reproduced and communicated to you by or on behalf of Tabor in accordance with section 113P of the Copyright Act 1968 (the Act).  The material in this communication may be subject to copyright under the Act.  Any further reproduction or communication of this material by you may be the subject of copyright protection under the Act. Do not remove this notice.